Schubert: Sonatas for Violin and Fortepiano, Op. 137 Scottish together with those published posthumously

together with those published posthumously

What results is rediscovery: a return to the scale

utterly connected

his contribution to the piano solo repertoire is of great significance

Schubert: Sonatas for Violin and Fortepiano, Op. 137 Scottish together with those published posthumouslyPeter Hanson (violin) Andrew Arthur (fortepiano) Schuberts three Sonatas for Violin and Fortepiano, Op. 137, may nod to Mozart in their delicacy, but their spirit is firmly rooted in the early Romantic imagination. Written in 1816, they seem to inhabit the intimate world of Lieder, where song like melodies and expressive dialogues between violin and piano take centre stage. Violinist Peter Hanson and fortepianist Andrew Arthur bring these works to