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In this arresting composition
with her head slightly tilted and her eyes gazing off into the distance
yet Daniel’s serenity seems to command the room
Ophelia’s face is serene
Daniel in the Lion's Den | Briton Rivière | 1872 Case Style:Tough In this arresting compositionIn this 1872 masterpiece, Rivire strips the scene of drama and miracles, choosing instead a moment of profound stillness. Daniel, barefoot and bound, stands with his back to the viewer, head bowed and hands calmly crossed behind him, surrounded by a pride of lions whose expressions range from curiosity to quiet restraint. The lionspainted with stunning anatomical accuracyappear unsettled yet subdued, their restraint almost more terrifying than open
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