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who identified with its counter-cultural bent
The title track leads off Kuristusleikki by going straight for the jugular
the cocaine-dusted Fender Rhodes of Michael McDonald
and all '80s and '90s bands which pushed amps to ten
LANA DEL REY - Ultraviolence 2LP post-hardcore who identified with its counter-culturalFew albums can claim to have achieved so ambitiously what Ultraviolence has. No matter your stance on the matter, following Born to Die with such a lustrous, gloomy, melancholic record was a bold move. The atmosphere Lana sets in this album is all consuming, and to understand the artistic vision you need to delve further into the artist's mind. It's sad, it's sexy, it's dark. It wasn't a happy time in her life. Her art reflects her headspace, the
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