Kasper Bosmans ‘Specimen Days’ object between the cosmic and the

between the cosmic and the mundane

One by one

1985) explores the boundaries of our perception in a subtly subversive way

They show how in the Western tradition beauty was defined by the sublime

Kasper Bosmans ‘Specimen Days’ object between the cosmic and theKasper Bosmans (b. 1990) dives deeply into the rich cultural history of materials, objects, traditions and customs. The references in his work betray a broad spectrum of sources, from folkloristic stories and cultural practices to historic research on painterly techniques or botanical cross breeding. In most cases he focuses intuitively on specific, sometimes fragile, sometimes playful facts and stories that are close to ordinary life but which,