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Byrd 1588: Psalmes, Sonets & songs of sadnes & and pietie RES10121 and Petrassi (who taught LeFanu)

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and Petrassi (who taught LeFanu)

About the Artists: Gemma Rosefield

but his sheer inventiveness and joyful revelry in a kaleidoscopic riot of instrumental colour is celebrated here in the earliest versions of such classics as Le Bestiaire and Cocardes

Scarlatti’s Bella dama di nome Santa and Infirmata vulnerata

Byrd 1588: Psalmes, Sonets & songs of sadnes & and pietie RES10121 and Petrassi (who taught LeFanu)Alamire Grace Davidson (soprano) Martha McLorinan (mezzo soprano) Nicholas Todd (tenor) Fretwork David Skinner (director) Following Tallis and Byrds first publishing venture of Cantiones Sacrae of 1575, Byrd waited some 13 years to again wake the presses with his compositions. His 1588 Psalmes, Sonets, & songs of sadnes and pietie was his first solo publication, for which Elizabeths Lord Chancellor (and notable favourite), Sir Christopher Hatton,

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