Kalligrafie „Banzai“ (万歳) gemalter Kiefernzweig mit Schössling | Matsumura Goshun 松村呉春 | 1752-1811   Gold This also means that with

This also means that with this art we are not moving in the spheres of the great schools of Kanō and Tosa

at the turn of the last century

the pink of the blossoms – subtly set off – corresponds elegantly with the red morning sun

the Nichiren sect does not seek to fill ordinary believers with religious images or detailed texts

Kalligrafie „Banzai“ (万歳) gemalter Kiefernzweig mit Schössling | Matsumura Goshun 松村呉春 | 1752-1811   Gold This also means that withMatsumura Goshun occupies a very important place in Japanese art history. He was a student and later a collaborator of the outstanding painter Maruyama ky (1733 1795). Together with him, he founded the Shij School in Kyoto, which shaped the aesthetics of painting in the old imperial capital throughout the 19th and early 20th centuries. Goshun is primarily known as a painter, but good painters were usually also excellent calligraphers. This calligraphy