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Since 1999
Dadurch erhält das Gemälde einen satten Glanz auf der Oberfläche
Friedrich Nietzsche schlang unter Tränen die Arme um den Hals des Pferdes einer Mietkutsche und wollte es nicht mehr loslassen
Memories of the first base shine through with lines in the last base layer
Ein Dämon tagsüber im Schlund des Meeres, 2013 Radierung Since 1999A canvas needs more substance than a sheet of paper, but in Haun's opinion it should still retain a certain lightness. With the size of the canvas here (70 x 100 cm), that is not easy. After the first painting, the artist often looks at the picture for days to decide whether it is finished or not. Sometimes she re primes a canvas, sometimes she declares it finished, and sometimes it only takes a few lines to finish. When she re primes the canvas, she
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