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Yamamoto Shunkyō has faded from public view
especially when it comes to women
(Die Schachtel ist allerdings mit „Jurōjin“ beschriftet - die beiden Glücksgötter sind sich ähnlich und werden oft verwechselt
there were three distinctive figures who defied Ōkyo’s unspoken aesthetic dictates
Pfingstrosen am Bach | anonym | frühes 20. Jh. Maus Yamamoto Shunkyō has faded fromThis pair of wooden panels was created by reconfiguring a pair of folding screens, presumably used in the context of the tea ceremony. Based on the material and style, it can be assumed that they were created in the late 19th to early 20th century. As is often the case with folding screens, there is no signature or any indication of a date. This is certainly a painting created for decorative purposes. The professional painter was familiar with a
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