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somewhat inconspicuous branch with hardly any blossoms appears in the middle
even if it is certainly less common in the Japanese art world than cranes
The snow-white whiskers are particularly effective in the otherwise yellowish tones from which the entire animal is modeled
That Ryūzan works with this in this picture is beyond doubt – whether he also works with the doubling of the width when halving the length and width cannot
Kalligrafie kokochi „(Wohl-)Befinden“ 心地 | Jiun Onkō 慈雲飲光 | 1718-1804 format:75cmx120cm somewhat inconspicuous branch with hardlyJiun Onk was actually a highly educated Shingon priest, but his interest lay less in esoteric Buddhism than in Zen. Many of his calligraphy works are exemplary examples of Zen. Typical for some of them is a thick, bristly brush, as was used in this calligraphy. On the one hand, Jiun rejects seductive suppleness and elegance, but on the other hand he is forced to combine small sequences of strokes. But this is in keeping with his Zen spirit, which does
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