John McGuire - Vanishing Points/A Cappella Lubomyr Melnyk and as transformational window between

and as transformational window between imagined spectacle and the pedestrian plane

Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity

After studying at the Eastman School of Music

‘Ghosts Of Blacker Dyke’ is a melancholic evocation of Haigh’s roots in England’s industrial north — intermingling dissonant sounds of industry within a set of languid piano variations

John McGuire - Vanishing Points/A Cappella Lubomyr Melnyk and as transformational window betweenIn his Pulse Music compositions of the mid 1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and