Records Ruin the Landscape John Cage, the Sixties, and Sound Recording - David Grubbs Melbourne School for Discontent Childs—R

Childs—R

Sono il trionfo dell’individualismo prepotente

Auckland University Press

But it is the carefully developed ideas in these essays and the eccentric yet thorough scholarship that draws them together that are of particular interest today: the understanding of criminal slang in the Middle Ages

Records Ruin the Landscape John Cage, the Sixties, and Sound Recording - David Grubbs Melbourne School for Discontent Childs—RJohn Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long duration minimalism, text scores, happenings, live electronic