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1980–83) at Dia Chelsea in New York City
Professor (LSGMA) and curator (CAMPO
Afterword by Baptiste Pinteaux
full colour gatefold featuring cover art and liner notes
Bruges-la-morte - Georges Rodenbach theory 1980–83) at Dia Chelsea inA widower, Hugues Viane, takes refuge in the decay of Bruges, living among the relics of his dead wife as he transforms his home and the very city he inhabits into her spatial embalmment. Spinning out his existence in a mournful, silent labyrinth of entombed streets and the cold arteries of canals, Viane takes comfort in his narcissistic delirium, living both for and within his deceased love, until his world is shaken when he meets his wifes
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